Every time I see one of these pots, with their mid-century shapes and glazes, I feel transported back to my great-aunt’s living room. She had a nifty little collection of glass, pottery, and wood sculptures culled from garage sales,
local shops in East Dallas, and her travels with her four sisters (the ‘kids’). The image in the last post with the orange and white pots were something she really would have grooved on, because orange was her favorite color ever. Those pots are the work of a modern potter living in California, whose work I’ve recently became aware of. While much of Adam Silverman’s recent rise in the design world might stem from his recently involvement with the high-end Californian ceramic company, Heath, he certainly has crafted his own incredible body of work, and will continue to do so after his collaboration with that company.
Because I don’t know much about the man other than feeling like he’s a lost twin soul who shares my obsession with texture and color and who harbors a fierce dedication to letting his materials embrace their weird organic nature,
let me include this from the introduction to his new book, aptly called Adam Silverman Ceramics,
“Adam Silverman’s pottery thrives on duality. Beautiful and ugly, refined and unpredictable, resolved and organic…His pots and sculptures are a harmony of contrasts in the search for perfect imperfection.” – Shepard Fairey
If you don’t believe me or Mr. Fairey, just feast your eyes on the gorgeous dualities going on in these: